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Diomedes Matos was born in 1940 in Camuy, Puerto Rico, where he grew up surrounded by a strong musical culture. He learned to make guitars and cuatros, a ten-stringed variation on the guitar traditional to the jibaros, the rural people of Puerto Rico's hilly interior. When Diomedes moved to Newark, New Jersey, he set up a workshop to make instruments, and played jibaro music at community events. In the United States, the cuatro and its music are evocative symbols of Puerto Rico. As Diomedes Matos states, "The cuatro is my
second flag!"



The Cuatro Project
NJN/State of the Arts, 1998 (6:14): Diomedes Matos, a master cuatro maker, works with apprentice Roberto Rivera building an instrument. Includes footage of an impromptu performance.
Producer: Angela Capio
Host: Amber Edwards
NEA Heritage Concert
Strathmore Music Center, 2006 (14:44): Diomedes Matos is honored at the NEA National Heritage Fellows Concert. He then performs, first on guitar accompanied by two cuatro players, then on the cuatro accompanied by his son, Pucho Matos, on guitar.

"I ask each musician I make a cuatro for whether they want the instrument to sound with more bass or with a higher pitch," says Matos, "I then make it to their specifications."

Diomedes Matos has made cuatros for Paul Simon and the Puerto Rican musician Yomo Toro among others. He says, "What really inspired me was a cuatro maker named Roque Navarro. I used to walk from my house to school every day, and on the way I'd see Mr. Navarro working on guitars and cuatros in his workshop. One day, when I was about 10 years old, I was watching him from the fence in front of his house and he invited me in and showed me what he was doing. I knew from that first visit that's what I wanted to do."

For many years, Diomedes worked as a carpenter, making instruments and performing during off hours. He has had many apprentices, teaching each one the skills needed to make the cuatro. Diomedes now lives in Florida, but he remains active in New Jersey's Puerto Rican community.
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